Intermission Insights

Intermission Insights

 

 

What goes on in a performer’s mind when they’re standing in front of a full orchestra looking out to a rapt audience?

At each concert, Artistic & Music Director Michael Christie leads a relaxed 10-minute question and answer with artists. Join in the conversation and learn more about the fascinating human experience of creating music in the moment.

“Intermission Insights” is an audience favorite at New West Sympohny and is unique in the industry!

Notes from Michael Christie on Intermission Insights:

 

We must do what we can to offer compelling levels of engagement for the diverse interests of our audience.

More than two decades ago I was faced with doing my first post-concert “Talk Back.” I happily came onstage after a performance with an amazing soloist and a high-octane symphonic masterpiece, and there couldn’t have been more than 10 people waiting to ask questions or comment. When asked, the management admitted that this was the average attendance. It made perfect sense, a fairly late evening conclusion to the performance, a rush to get to the parking garage, and possibly the end of a very tiring work week.

The solution was obvious to me. Create an opportunity for patrons to talk back at one of the most fertile moments during the concert, the intermission. Typically, the guest artist will have just dazzled the audience with a great concerto performance and the audience has yet to digest the largest part of the concert “meal.”

The way I handle this is to allow the orchestra to exit the stage and I escort the guest artist back onstage immediately to discuss the performance the audience just heard.  I keep the focus on the performance itself by and large and stay away from the analytical material one may hear in a pre-concert talk. The interview and Q&A last 10 minutes and then the orchestra retakes the stage in preparation for the second half.

When the performance does not feature a guest artist, I have enlisted members of the orchestra to take part, emphasizing the Concertmaster and other principal players the audience may focus on a bit more because of solos.  I also enjoy introducing new members of the orchestra to the community and celebrating those that are retiring at this time as well.

The participation stats could not be more interesting. A majority of people STAY!  Especially when the audience has been particularly wowed. Some come and go to get their drinks and use the lavatory, but it is clear that people are seeking more contact with the artists. In addition to the obvious pleasure the audience gets from this experience, I get to hone my skills as an interviewer!